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And the team is highly aware of the challenges that come with telling such a story, in such a peculiar way, namely in not wanting to spoil the experience of the sequel, and in producing a story in this series of transmissions that not all Oxenfree II players may experience. In that sense, as Douglas explained, the radio updates being added for players to discover are aimed to feel like a complete story themselves, with a beginning, middle, and end that should satisfy those who discover them all, while also offering depth to what's to come in the sequel. "We wanted to make sure that we went deeper with it, and made sure to honor the Night School pillars of really strong characters, really compelling dialogue, and nice and scary as well," Writer Adam Esquenazi Douglas added. "The rules of the world, and the rules of the universe, allows things that happen in the future to reverberate into the past, and vice-versa," Studio Lead Writer Adam Hines told IGN.
It's a startling approach, but one that the developers felt was absolutely natural to the world they've created and are now building upon. These broadcasts offer players who discover them a bit of characterization and background for these characters, while also showing how significant a force they might be if their actions are reverberating through the original game. And as perceptive fans may have already realized, these broadcasts are offering insight into the world of the sequel's villains, a collective group known as Parentage. It's a unique mix that should make Night School's future productions ones to watch, and this an auspicious debut.Play What Oxenfree's Updates Hint at in Oxenfree IIĪ couple of updates to the Steam version of Oxenfree have already gone live, and fans have been piecing together what these radio broadcasts might be leading toward.
It's more subtle than that, and less demanding of your time.)īesides its unique approach to game storyline delivery, which I think will be studied and copied in the future, Oxenfree shows some smart thinking about the relationship between games and players. (Note that I am not saying that Oxenfree makes you play it over and over again. The game plays with time-shifting, and does so in a way that encourages multiple playthroughs, and it seems to be quite aware that a second playthrough of a videogame is, in and of itself, a sort of time-loop, a repeating of the past in an effort to change it. I don't want to spoil anything, but Oxenfree's final moments have some interesting meta-commentary. But the way it finishes may leave you with more questions than answers, and given its relatively short turnaround (and opportunities to alter the dialogue with your choices), you may decide to immediately start it up and play it through again. It feels like less because it moves so quickly and so intriguingly from bit to bit. You'll finish Oxenfree in about four hours, give or take. So if you take a moment to stop following the story and start looking for hidden secrets, the game's cast of loquacious Chatty Cathys all go completely radio silent for the duration. This falls apart a little in the game's second half, because while Oxenfree gives you a sidequest to complete late in the game, all the dialogue is tied to the story progression. The dialogue keeps up its rapid-fire delivery all the way through the story, as you're exploring. Interrupt someone, and they might come back later to what they'd been talking about, in a way that sometimes sounds almost too natural to have been pulled up on the fly by a computer program. Various speech bubbles pop up around her head, and you can select an option (or not) if you want to interject an opinion. It didn't take long before I found myself quite invested in these characters, interested in the dynamics that quickly popped up between them-and being asked to make some on-the-fly decisions about what Alex, the protagonist, should say or do. It sounds like a natural, vibrant conversation, and it moves fast. The lines of dialogue, precisely and wittily written and delivered, come fast and furious.
Its unique approach to game storytelling is apparent from its first moments, as we watch a group of teenagers chatter while riding a ferry to a nearby island.
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Oxenfree's a short game, but there's a lot going on under its surface.Īvailable today on PC and Xbox One, and published in partnership with Robert Kirkman's shop Skybound, Oxenfree is the debut project of Night School Studio, founded by two cousins with experience making games at Disney and Telltale.
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